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・ Ruth Ridge
・ Ruth Riese
・ Ruth Riley
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・ Ruth Rivkin
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・ Ruth Roach
・ Ruth Roberts
・ Ruth Robertson
・ Ruth Rocha
・ Ruth Roche (comics)
・ Ruth Roche, Baroness Fermoy
・ Ruth Roemer
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・ Ruth Rogers-Altmann
Ruth Roland
・ Ruth Roman
・ Ruth Root
・ Ruth Rose
・ Ruth Rose (Quebec educator)
・ Ruth Rosen
・ Ruth Ross
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・ Ruth Rowan
・ Ruth Rowland Nichols
・ Ruth Royce
・ Ruth Rudy
・ Ruth Runciman
・ Ruth Russell
・ Ruth Ruth


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Ruth Roland : ウィキペディア英語版
Ruth Roland

Ruth Roland (August 26, 1892 – September 22, 1937) was an American stage and film actress and film producer.〔(IMDB entry )〕
==Early life and career==
Born in San Francisco, California, Roland's father managed a theatre and she became a child actress who went on to work in vaudeville. She was hired by director Sidney Olcott who had seen her on stage in New York City. She appeared in her first film for Kalem Studios in 1909 and along with Gene Gauntier was soon billed as a "Kalem Girl". She eventually was sent to Kalem's West Coast studio, where she was the lead actress and overseer of "Kalem House" where all the actors lived. Aged 12, she was the youngest student at Hollywood High School, having attended the school around 1904 or 1905 (there is debate on this date). Roland was Hollywood High School's first homegrown movie star.〔(silent-movies.com Ruth Roland profile ), silent-movies.com; accessed May 6, 2014.〕
Roland left Kalem and went on to even more fame at Balboa Films, where she was under contract from 1914–1917. In 1915 she appeared in a 14-episode adventure film serial titled ''The Red Circle''. A shrewd businessperson, she established her own production company and signed a distribution deal with Pathé to make six new multi-episode serials that proved very successful.
Between 1909 and 1927, Roland appeared in more than 200 films. She appeared in an early color feature film ''Cupid Angling'' (1918) made in the Natural Color process invented by Leon F. Douglass, and filmed in the Lake Lagunitas area of Marin County, California.
Roland worked the film business until 1930 when she made her first talkie. Although her voice worked well enough on screen, now entering her forties she returned to performing in live theatre, making only one more film appearance in 1935.

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